金牌艺术家——李进茂全球推荐

       李进茂，1943生，斋号：三江养心斋，字号河源孺子，青海西宁人。毕业于青海农林学校设计系，1964年元月参加工作，1966年4月入党。曾在解放軍3405工厂，共青团青海省委、青海青年報、青海广播电视台《青海广播电视報》历任美术编辑、主任编辑等职，获全国记协三十年资深新闻工作者。2003年12月26退休。退休后继须发挥余热进行美木、摄影创作。现为中国艺术名家推荐委员会主席，中国国际艺术委员会委员，中国美术家协会会员、中国摄影家协会会员、 青海美协早期会员，曾担任青海摄影家协会理事，青海新闻协会常务理事，青海新闻摄影协会常务理事，青海省直机关书画摄影协会理事等。国家特级美术师，国家高级摄影师。现任人民日报书画家联谊会终身名誉主席，中国红色文化艺术联合会常务理事，中国书画家联谊会新文艺群体书画家工作委会委员，中国艺术院院士（学院派艺术家)，瑞典皇家艺术学院荣誉艺术博士学位，法兰西皇家美术学院艺术学博士学位，中国教育联盟客座教授，英国牛津艺术 学院中国画高级研究员，中国国艺人民书画院理事，北京环球艺术院名誉副院长，青海江源民族书画院副院长，中国国画院青海分院院长，曲阜鸿儒书画院常务理事。

      李进茂先生以青藏高原为生活，创作素材，以造化为师，写尽青藏高原的高远与神秘，他以大视野的广角镜头语言，记录着青藏高原的万象神姿：从近、中、远三景透视中，展现着苍穹中翱翔的雄鹰。如剪影般的耗牛群，远处牧人的毡房在光影与笔墨的互为表达中，让我们看到青藏高原的风骨沧桑与壮美神秀。

      李进茂先生自幼窖爱丹青、师承朱乃正崔振国、马西光、里果等拜习油画、版画、国画。后专一研习中国画40多年、山水、花卉、人物俱著。题材以青藏高原民族凤情为主，画面简洁不失 丰满，清新秀面，气韵生动，给人一种淡雅怡静安适之感。“师古人、师今人、师造化” 一手伸向传统，一手伸向生活，古今融汇，中西贯通，博取众长，以铸就自家风貌。先生在创作中追求 艺术的精致，深度的抒情来实现自己对于山水的理解和诊释，或以势胜，或以情胜，或以理胜，或以气胜的山水境界。先生才华胜人，激情飞扬，取法高古，意境深邃迥异流俗，风韵幽雅，书艺高超，书德高尚，在坚持正统，强调基本功前提下不断在寻找个性，不为名利所扰，不被尘俗所染。以豪迈、奔放而不失规矩，飘逸隽秀，而又刚劲挺拔，传统中见个性，飞扬中见沉稳。作品在国内，国际大展大赛中屡获金奖，收藏并入编几百种大型书画集中。出版有《李进茂 国画作品集》、《国家艺术人物李进茂专刊集》、《中国文化传承人物李进茂专刊》、《中国网 教中心客座教授李进茂书画教程教材》等。多次受到中央文史馆、文化部、外交部等政府及群众 文化单位的表彰，授予“国家级重大贡献艺术家” “世界华人功勋国画大师”、“中国本土的国际艺术大师”等称号。2015年12月文化部授予李进茂先生当代中国“国家重点保护艺术家”，2019年8月中国文艺改革发展委员会授予“中国书画艺术代表人物“称号。在2019首届北京“中华艺术国际书画展赛"中作品《居山有福》获一等奖，本次大展赛第一名，并被人民大会堂管理局、中国艺术改革发展委员会授予”国宾礼书画艺术家”称号，2021年10月中国功勋人物委员会授予“中国功勋人物＂称号。在纪念中华人民共和国恢复联合国合法席位五十周年之际获联合国“大国艺术工匠功勋人物＂勋章。

Li Jinmao, born in 1943, No.: Sanjiang Yangxin Zhai, No. Heyuan Ruzi, from Xining, Qinghai. Graduated from the design department of Qinghai agriculture and forestry school, started working in January 1964 and joined the party in April 1966. He has worked in the 3405 factory of the people's Liberation Army, the Qinghai Provincial Committee of the Communist Youth League, the Qinghai Youth Daily and the Qinghai radio and television news of Qinghai radio and television station successively as an art editor and chief editor, and has been a senior journalist of the national Journalists Association for 30 years. Retired on December 26, 2003. After retirement, we must give full play to the waste heat to create beautiful wood and photography. At present, he is the chairman of the recommendation Committee of Chinese famous artists, a member of China International Art Committee, a member of China Artists Association, a member of China Photographers Association and an early member of Qinghai Artists Association. He has served as the director of Qinghai Photographers Association, the executive director of Qinghai Press Association, the executive director of Qinghai Press Photography Association, the director of calligraphy and painting photography association of organs directly under Qinghai Province, etc. National Super artist and national senior photographer. He is now the lifelong honorary chairman of the people's daily calligrapher and painter Association, the executive director of the China Red Culture and Art Federation, the member of the calligrapher and painter Working Committee of the new art group of the Chinese calligrapher and painter Association, the academician of the Chinese Academy of Art (Academic artist), the honorary doctor of art of the Royal Swedish Academy of art, and the doctor of art of the Royal Academy of fine arts of France, Visiting professor of China Education Union, senior researcher of Chinese painting at Oxford Academy of art, UK, director of the people's Academy of Chinese painting and calligraphy, honorary vice president of Beijing Universal Academy of art, vice president of Qinghai Jiangyuan National Painting and Calligraphy Academy, President of Qinghai Branch of Chinese painting and Calligraphy Academy, and executive director of Qufu Hongru painting and Calligraphy Academy.

Mr. Li Jinmao takes the Qinghai Tibet Plateau as his life, creates materials and takes nature as his teacher, and writes about the height and mystery of the Qinghai Tibet Plateau. With the wide-angle lens language of broad vision, he records the Vientiane divine posture of the Qinghai Tibet Plateau: from the perspective of near, medium and far scenes, he shows the eagles flying in the sky. The silhouetted cattle herd and the felt houses of herdsmen in the distance let us see the vicissitudes and magnificent God show of the Qinghai Tibet Plateau in the mutual expression of light, shadow and pen and ink.

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